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Friday, 12 August 2011

"Shame the Devil" ~ A beautiful biographical, feminist novel of Fanny Fern, contemprary of Alcott and Dickinson

Posted on 11:10 by john mycal
Published by:  SUNY Press
Pages:  368
Available:  Amazon, Barnes & Noble (Through Author at her site listed below)


The Dame's Review :

What a rare and exceptional treasure it is to have a biographical, feminist novel these days.  This beautifully covered book is so well researched and written that it behooves one to tread carefully when assuming it can be reviewed with justice. 

Debra Brenegan leads us back to a time when women tripped what appeared to be the broad line of sensibility, as Miss Austen would say, only if they dared.  A time when women kept their own kind in check, when men expected the females in their lives to be concerned with things in particular, and when some appeared to overlook or to be blind to those women who stole across the barriers to proclaim a worthy presence of their own. 

The Fanny Fern of Ms Brenegan's biographical novel is a woman of this unusual making; that is, one who could bridge that broad line of sensibility, come forth as a wise woman, favored by men and women alike...sought out for conversation by both, and heralded as a social reformer, a writer and journalist of her times.  A formidable woman who had opinions she was emboldened to express because of the sufferings she experienced in her own life.

It was a bash to women of the Women's Movement in the 1960's and '70's that they were "ugly, unattractive, uptight and asexual sub-women"...explaining why they were interested in being equal to men and working for "women's rights" which were "not wanted or needed by married, and/or attractive women who had men to take care of them." In those days, this bashing was a form of fear, fighting against feminine uprisings and social change.

I found it interesting from that perspective, to consider how much worse it might have been in the 1800s, for Fanny Fern to withstand the social outcry against her, who may not have been seen as the most attractive of women. Yet, like a multitude of women who've risen to the surface with great minds, great spirits and great works for peace, freedoms, and the education of others,  Ms Fern's beauty was so radiant she drew thousands to her. She was a face and a place of mercy and understanding. 

With contemporaries such as Alcott, Hawthorne, Walden, Emily Dickinson and Harriet Beecher Stowe, Ms Fern's is a life and world filled with beautiful detail and imagery, as well as with literary importance and excitement.

Debra Brenegan is an author who is obviously in love with her subject and did her research with a detailed hand.   She is poetic in her delivery and fiery when she needs to be in defining her characters.  Though it's meant to be biographical, Ms Brenegan's book reads fully like a feminist novel, reminding me of my studies in women's literature and what a powerful impact it made towards the discovery of my "self" as a woman.

If there were one minor adjustment I'd make with "Shame the Devil," it would be that it sometimes became stilted when it read like a history book in parts.  This reflects the difficult transition one is asked to make when switching from a biographical study to a novel form, and some of the residual of that lingered.

I'm delighted to have this lovely little book on my personal library shelf.  I highly recommend it to all of my friends.  I recommend it to all who are interested in the exciting times of women of the American Civil War Era notably and finally having a voice in literature, journalism and in the politics of the times.

4 stars




Additional Information on "Shame The Devil":

“There may be married people who do not read the morning paper. Smith and I know them not … It is not too much to say the newspapers are one of our strongest points of sympathy; that it is our meat and drink to praise and abuse them together; that we often in our imagination edit a model newspaper, which shall have for its motto, `Speak the truth, and shame the devil.’” — Fanny Fern

Shame the Devil tells the remarkable and true story of Fanny Fern (the pen name of Sara Payson Willis), one of the most successful, influential, and popular writers of the nineteenth century. A novelist, journalist, and feminist, Fern (1811-1872) outsold Harriet Beecher Stowe, won the respect of Nathaniel Hawthorne, and served as literary mentor to Walt Whitman.


Scrabbling in the depths of poverty before her meteoric rise to fame and fortune, she was widowed, escaped an abusive second marriage, penned one of the country’s first prenuptial agreements, married a man eleven years her junior, and served as a nineteenth-century Oprah to her hundreds of thousands of fans.

Her weekly editorials in the pages of the New York Ledger over a period of about twenty years chronicled the myriad controversies of her era and demonstrated her firm belief in the motto, “Speak the truth, and shame the devil.” Through the story of Fern and her contemporaries, including Walt Whitman, Catharine Beecher, Harriet Beecher Stowe, Harriet Jacobs, and Nathaniel Hawthorne, Shame the Devil brings the intellectual and social ferment of mid-nineteenth-century America to life.

For more details and pictures, you can visit the author at her website: www.debrabrenegan.com 

*This review is in affliation with Pump Up Your Books Tours.

Have you read any good feminist literature in the recent past? Please share it with me!

Deborah/Your Bookish Dame

*I apologize for the white square on the title of this entry. Have no idea why it's there...and can't fix it!!  :[

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Posted in General Fiction, Women Writers | No comments

Thursday, 4 August 2011

A Bookish Libraria: The Bookish Dame Reviews: Hoarding~ "Dirty Secret: A Daughter Comes Clean Ab...

Posted on 08:53 by john mycal
A Bookish Libraria: The Bookish Dame Reviews: Hoarding~ "Dirty Secret: A Daughter Comes Clean Ab...: "Publisher: Gallery Books, A Division of Simon & Schuster, Inc. Date published: January 2011 Pgs: 311 Plus Reading Group Guide Paperba..."
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Posted in Hoarding, Memoirs and Non-Fiction, Memoirs and Other | No comments

Hoarding~ "Dirty Secret: A Daughter Comes Clean About Her Mother's Compulsive Hoarding"

Posted on 08:04 by john mycal
Publisher:  Gallery Books, A Division of Simon & Schuster, Inc.
Date published:  January 2011
Pgs:  311  Plus Reading Group Guide
Paperback Edition and Ebook

Overview:
"To be the child of a compulsive hoarder is to live in a permanent state of unease. Because if my mother is one of those crazy junk-house people, then what does that make me?"

When her divorced mother was diagnosed with cancer, New York City writer Jessie Sholl returned to her hometown of Minneapolis to help her prepare for her upcoming surgery and get her affairs in order. While a daunting task for any adult dealing with an aging parent, it’s compounded for Sholl by one lifelong, complex, and confounding truth: her mother is a compulsive hoarder. Dirty Secret is a daughter’s powerful memoir of confronting her mother’s disorder, of searching for the normalcy that was never hers as a child, and, finally, cleaning out the clutter of her mother’s home in the hopes of salvaging the true heart of their relationship—before it’s too late.
 
Growing up, young Jessie knew her mother wasn’t like other mothers: chronically disorganized, she might forgo picking Jessie up from kindergarten to spend the afternoon thrift store shopping. Now, tracing the downward spiral in her mother’s hoarding behavior to the death of a long-time boyfriend, she bravely wades into a pathological sea of stuff: broken appliances, moldy cowboy boots, twenty identical pairs of graying bargain-bin sneakers, abandoned arts and crafts, newspapers, magazines, a dresser drawer crammed with discarded eyeglasses, shovelfuls of junk mail . . . the things that become a hoarder’s “treasures.”

With candor, wit, and not a drop of sentimentality, Jessie Sholl explores the many personal and psychological ramifications of hoarding while telling an unforgettable mother-daughter tale.

My Review:

Jessie Sholl's book is absorbing and enlightening.  It stands alone as a book revealing the heartaches and horrors of being the child of a hoarder.  And, she carries us along with her as she writes her very novel-like history of dealing with her own obsession to make her mother different -- cured of her hoarding, and "normal."

Ms Sholl is an accomplished author.  Her writing is clear and concise, taking us swiftly along her story as if she's sitting in the same room telling us...spell-binding us. This is a story that will give yet unheard of insight into both the hoarder's mindset, and that of those who try to make their own lives make sense. It may also open some eyes to their own pre-hoarding tendendancies.

One of the most profound inside confessions of Ms Sholl is the horror she and her family experienced when she contracted a bug from her mother's house.  This was something I would literally have lost my mind over!  This singular incident would have sent me over the edge and made me react differently altogether to my mother and her hoarding.  However, Jessie Sholl's love of her mother reveals itself in a very telling manner...which I won't spoil by detailing here.

While Ms Sholl gives a comprehensive account of her mother's background and life as a hoarder, as well as her own life as a daughter secondary in her mother's heart to hoarding, Jessie also explains the disease in total.  An awful and seemingly discouraging property of hoarding is that it cannot be "cured."  The medical world has finally come to see it as a mental illness that seems to be triggered by a tremendous loss in some instances, but there is nothing that can "fix" the problem.  When teams and family come in to clear out the home, and therapy ensues--the hoarder only resists, relapses and continues.

I found Jessie Sholl's book to be immanently readable and enlightening. It has made me want to know more about hoarding and hoarders in general.  Frankly, it's become less a disorder to laugh at on "Hoarders."  Any time we can understand a disease at its roots, we can be more sympathetic toward those whose life it affects.  And when we can reach that point, it makes us more whole as a community.  This is the treasure of Ms Sholl's book.  She is the crusader that will hopefully give hope to children of hoarders, and understanding to those of us who look from the outside.

5 stars for this enlightening book and congratulations to Jessie Sholl


*Please share in comments anything you have to say about hoarders you've encountered and how it's affected you.

Deborah/TheBookishDame
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Posted in Hoarding, Memoirs and Non-Fiction, Memoirs and Other, Women Writers | No comments

Friday, 29 July 2011

A Bookish Libraria: The Bookish Dame Reviews: Gothic, Vampirish and Old World ~ "The House on Bl...

Posted on 09:08 by john mycal
A Bookish Libraria: The Bookish Dame Reviews: Gothic, Vampirish and Old World ~ "The House on Bl...: "The Book Summary : This is a tale of vampirism, madness, obsession and devil worship as Rose Baines, only survivor of her family’s carnage..."
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Gothic, Vampirish and Old World ~ "The House on Blackstone Moor"

Posted on 08:35 by john mycal

The Book Summary :

This is a tale of vampirism, madness, obsession and devil worship as Rose Baines, only survivor of her family’s carnage, tells her story. Fragile, damaged by the tragedy, fate sends her to a desolate house on the haunted moors where demons dwell. The house and the moors have hideous secrets, yet there is love too; deep, abiding, eternal, but it comes with a price, her soul.



About the Author:


Carole Gill wrote her first story at age 8. It was science fiction. She switched to horror in her teens and has been writing ever since.

Widely published in horror and sci-fi anthologies, The House on Blackstone Moor, published by Vamplit, is Carole’s first novel. It is a tale of vampirism, madness, obsession and devil worship.

Set in 19th Century Yorkshire its locales include Victorian madhouses as well as barren, wind-swept Yorkshire moors. The story is a marriage of horror and gothic romance set in 19th Century England.
The sequel, Unholy Testament, will be released later this year.

A former New Yorker but resident in England and residing in Yorkshire gave her the knowledge of the area the novel is set in. Also, as a great admirer of the Brontes and frequent visitor to the Bronte Parsonage in Haworth she found herself nearly obsessed with recreating the gothic romantic narrative.

Also having been employed in a hospital which had been historically a workhouse and asylum in Victorian times, Carole was able to add great realism to the depiction of the asylums as described in her novel.

Excerpt from the Novel's first page:

"...They say my father was mad, so corrupted by evil and tainted by sin that he did what he did. I came home to find them all dead; their throats savagely cut. My sisters only five and eight were gone as well as my brother who was twelve. My mother too lay butchered in her marriage bed. The bed her children were born in.

I discovered him first, in the sitting room, floating on a sea of crimson, the bloody razor still clutched in his hand.

How pitiful I must have looked, bent down trying to wake him. Calling to him over and over: “Papa please, please wake up!”

He could not waken of course. No more was he to open his eyes, not in this world, had I not been struck mad I would have realized.

Yet madness is sometimes a mercy when shadows come to take the horror away. Please do not pull away in terror, please. I have much to confess. Just be patient, for I promise I will tell you everything. The only thing I ask in return is for you not to judge me until you hear my entire story…”

My Review:

Without a moment's delay, and from those first paragraphs above, I was hooked into "The House on Blackstone Moor." I soon discovered that this was a book written after the style of Bram Stoker's "Dracula;" that is, gothic, romantic,rich in bloody detail and situated in an all encompassing overshadowing of hellish gloom.

Unlike the sometimes "wimpish" and often light-hearted vampire novels of comtemporary authors, as well as those "fattened" by the use of other magical creatures: werewolves and the like; Ms Gill harkens back to the real stuff. She reminds us that these vampire creatures of darkness come from Satan as do his dark minions...that, though some are enchanting and loveable, they all are ungodly and evil.

Throughout this novel I thought of Mina and her sweetheart, of the doctor who wanted to save her, and of the devilish Dracula and his poor fly-eating slave, Renfro. There is a true vampire who's after the blood of humans and up to no good. There also are the vampires of Carole Gill's book for the most part.

Along with her vampires, I really enjoyed her depictions of the Marsh Asylum and its residents. I happen to crave novels in this sort of setting...and in gothic format, so this was particularly fun to read. It's a scary premise to be emotionally upset by a horrible incident and to be thought insane by virtue of that...then to be sent to an asylum only to wonder how you'd ever be let out. That's one of my nightmares! Ms. Gill touches perfectly upon it.

The writing technique seems ancient and fitting for this novel/genre. While the story continues from one "happening" to another; one small climax to the other, we are caught in n unrelenting web that won't let us go until the end. As I've mentioned before, not only is it set in 19th c. England, but it harkens back to writers of a timeframe such as Mary Shelley, Bram Stoker, and even Edgar Allen Poe. 

"..Blackstone Moor" doesn't seem to want to end, however, and that may be its biggest flaw. I think a good editing might have been useful in this case; and, although I enjoyed the continuing scenarios, I felt as if too much was enough. Perhaps an ending well done and a couple of sequels would have been a better way of handling the novel. I'm looking forward to her announced sequel.

Character development is solid and compelling. I was fully involved in Rose, the primary character, and her experiences. I did feel her many "attacks" were a bit overdone, though, and might have been better handled with more variety and less frequency. Rose's love of the handsome and irresistable Mr. Darton had me craving a kiss from him, too!

All in all, I found this an enjoyable read. It felt like reading an old Victorian novel, which I found enchanting in this age. While I was fortunate enough to receive a review copy, I understand an ebook is available.

4 stars for "The House on Blackstone Moor"

Deborah/TheBookishDame

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Posted in YA fiction | No comments

Thursday, 21 July 2011

"Altamont Augie" ~ The Decadent Sixties...Vietnam, Rock 'n Roll, Making Love-Not War

Posted on 21:10 by john mycal

Overview from Amazon.com:

"Barager spins a compelling tale of youthful passion, both personal and political...a rich, satisfying experience. A well-written, gripping novel that expertly blends fact and fiction, love and conviction."
--Kirkus Indie

"...historical fiction at its very best. The main characters are true-to-life and make the readers care...Barager's writing is always on target." --ForeWord Clarion Reviews, Five Stars (Out of Five)

"Richard Barager has written the novel of the Sixties--a passion-filled, pitch-perfect, roller coaster of a tale about the decade that divides us all..." --David Horowitz, former New Left radical and best selling political author

"The Vietnam War not only claimed thousands of lives, it also shattered a country..."Altamont Augie" is a fascinating read of the harsher conflict of words on the home front and what they meant to the soldier."---Midwest Book Review

"The drowning death of an unidentified man at the infamously violent 1969 Altamont free concert sets the stage for first novelist Barager's dynamic, passionate, often moving exploration of the turbulent and politically divided 1960s...the story of a fraught love triangle...adds arresting human dimensions"--Booklist


A NATION'S HONOR...A GENERATION'S POLITICAL SOUL...
LOVE and WAR in the AGE of AQUARIUS

A startlingly vivid portrayal of one of the most colorful and turbulent periods in recent American history: the 1960s, as seen through the eyes of two ill-fated college lovers at odds over Vietnam. Their story and the story of their generation spill onto a tableau of some of the era's most iconic settings: the legendary battleground of Khe Sanh; a Midwestern campus riven by dissent; and Altamont Speedway, scene of the notorious rock festival profiled in the film Gimme Shelter. Let this richly satisfying tale transport you to a Sixties state of mind.

About Richard Barager:

Richard Barager
Richard R. Barager, MD, FACP, is a nephrologist in private practice in San Diego’s North County. Dr. Barager, who has twice received a San Diego County Medical Society “Top Doctor” award for distinguished care in his specialty, is a champion of the healing power of literature, and from time to time “prescribes” specific novels to receptive patients and families to help them cope with their burden of illness.
He has engaged the medical community at large in this endeavor via The Literary Doctor, a blog category devoted to the use of literary fiction to help patients and physicians alike explore the meaning of human illness in a way scientific method cannot. A disease can be understood through the process of empiric research and publication; understanding illness—the fully expressed human response to disease, manifested by its emotional, spiritual, financial, as well as physical aspects—requires a different paradigm. Illness is best understood in story form, i.e. selected works of literary fiction.
Dr. Barager has long believed the two finest callings in life are doctor and writer, the one ministering to the human condition, the other illuminating it, both—when performed with compassion and knowledge—capable of transforming it. His novel Altamont Augie, a tale of the late 1960s, is due for publication in June, 2011.



Dr. Barager earned BA and MD degrees at the University of Minnesota, and did postgraduate training at Emory University in Atlanta and the University of California at San Diego. He has published a chapter in a medical textbook, is past chief of staff at a large district hospital, and is fluent in Spanish, in order to better serve his area’s substantial Hispanic population.



Guest Post from Dr. Barager:

Hello to all the loyal followers of The Bookish Dame, and thank you to Deborah for inviting me to write a guest post on her wonderful literary blog.

There is an insatiable curiosity on the part of readers, I think, about the process of writing fiction—what Norman Mailer called "The Spooky Art" in the eponymous title of his famous book on writing. I thought I would attempt to make the art of novel writing a little less spooky by revealing how some of it came to be for me in my debut novel Altamont Augie.

First, a word about how I decided on the subject matter.
As is often the case, it chose me—seven years ago, during the Iraq war. The protests that flared up against the war reminded me of street protests I had witnessed in my youth against another war: Vietnam. Which got me thinking again about the 1960s, a decade that left an enormous cultural and psychological imprint on me. Yet I never really understood the Sixties, never knew what it all meant: the music and fashion, the war and protest, the racial strife and assassinations. Altamont Augie, then, is my humble exploration of the meaning and legacy of the 1960s.

The premise of the book fell into my lap when I came across an article about an event I had nearly forgotten about: Altamont. The Altamont Speedway Concert was a rock festival held on December 6, 1969, in the waning days of the 1960s. It was a concert that went bad. Really bad. So bad, it is regarded by many as the metaphoric Death of the Sixties, the symbolic—and tragic—end of the Age of Aquarius.

The notion of Altamont as the Death of the Sixties quickly became an idée fixe of mine—in a good way. I watched the seminal rock documentary Gimme Shelter (the second half of which is devoted exclusively to Altamont) half a dozen times; read everything about Altamont I could find, including San Francisco Chronicle articles (preserved on microfiche from the pre-digital era) written in the days immediately after the concert; and I visited Altamont—forty miles east of San Francisco—and walked its sere, windblown grounds.

I learned there were four deaths amidst the violence of Altamont, the most famous of which was the stabbing death of a black Berkeley teenager named Meredith Hunter by the Hell’s Angels motorcycle gang. But what intrigued me far more than Hunter’s notorious slaying was a fatality nobody paid much attention to that day: that of a young man who, an hour into the show, inexplicably got up, walked over to the nearby California Aqueduct, plunged in and drowned. He would remain anonymous, unidentified, his body never claimed. As futile a death as I had ever heard of.  Or not.

Altamont Augie

What kind of man goes to one of the biggest rock concerts of the sixties, manages to drown in a nearby irrigation canal an hour into the show, and is never identified? Who was this John Doe? Another hippie drifter left over from the Summer of Love, more drugged-out flotsam from the wreckage of an overwrought decade? A nutcase, one of thousands wandering the Bay Area back then? An oddball suicide, perhaps.

So much for the trigger of my story. Now for a word about the title.
The "Altamont" piece you already understand. But what about the "Augie" part of it? What’s up with that?

The use of the name Augie in my story and title is a tribute to Saul Bellow’s The Adventures of Augie March, one of the greatest novels of 20th century American literature—and to its protagonist, one of the greatest characters in 20th century American literature. What makes Augie March so great? How about this, the greatest opening sentence in 20th century American literature.

I am an American, Chicago born—Chicago, that somber city—and go at things as I have taught myself, freestyle, and will make the record in my own way: first to knock, first admitted; sometimes an innocent knock, sometimes a not so innocent.Bellow’s novel about a prototypical American’s quest for identity during the Great Depression championed the belief that an individual, no matter how lowborn and disadvantaged, can succeed in America solely by dint of character and ability. My novel echoes that belief.

So there you have it, two Augies in two different novels, written half a century apart, each in celebration of the greatest statement of human liberty ever written:

We hold these truths to be self-evident, that all men are created equal, that they are endowed by their Creator with certain unalienable Rights, that among these are Life, Liberty, and the pursuit of Happiness. 
Thanks again for having me, Deborah.

Thank you, Dr. Baranger, for enlightening us about your spark of motivation for writing "Altamont Augie," and for the insight into the importance of the title.  You're welcomed to share anytime about anything on my blog!

Now:  A short trailer of your book--



The Dame's View:
Gripping trailer for a gripping novel which would make a really great film.  I was swept up in this story that was a flashback into the turbulent 1960's.

The conflicting ideals and opinions of the Vietnam War are central to the theme of "Altamont Augie;"  as it was to those of us who struggled to make sense of the War in those times, of the reasons why certain of our friends and loved ones were being "drafted" into the clearly "unpopular," politically challenged War, and certain ones were left untouched.  Just like Dr. Barger's characters, we were fighting to make changes in our lives: breaking out of restrictive, status focused chains ready-made for us in a world assuming to hold us back from expressing the knowledge we'd gained of new sciences, new sociology, new art and literature...a new awareness of who we were and what kind of world we wanted, particularly in a world that warned of nuclear annihilation by a Big Bear enemy.  The 1960's generation was the first to break barriers in college-educated citizens, for the first time children were significantly more educated than previous generations.

Through all of these struggles for rights to their own bodies, to their conscience, equality, peace and a voice of freedoms, college sweethearts David and Jackie provide a bird's eye view into the angst of young Americans of the era. 

Like the majority of the world around them Dr. Barager's characters experience professors, friends, student uprisings and news commentary of the day.  And, while the two young lovers are bound to each other, they are also bound to the truths they've arrived at for themselves.  It is these differences in philosophy and values that causes a chasm between them that only love can grow into.

I found "Altamont Augie" a trip back in time.  It's a good story of love and loyalties--honor and shame, the bottom-line 
issues close to our hearts during times of unrest in our country and our homes.   It's a novel written by an accomplished writer whom I expect we'll hear more from in the future. 

On another note, I just want to say that in contrast to the current wars we are sending our young men to in the Middle East, and despite our national conscience and political outcries currently...the Vietnam War was a catalyst for more unity and uprising of voices in America in its day.  There was more determination, more "guts," more a sense of urgency and anger.  Young adults had a sense of gravity and loss, it seems to me.  I'm not sure why this is.  Perhaps it was because so many were forced to fight...perhaps it was seeing them die daily on television (like today: 19 yr. olds, 20, 21, 22-30 yr. olds)...perhaps it was that we were young and felt the oppression of our collective "selves" on so many fronts so profoundly.  Maybe we didn't have the added burden of a society fraught with the base-of-the-pyramid challenges of financial collapse!   Or the infiltration of the Muslim Brotherhood terriorists in our midst...  All which may seem to be an overwhelming war in itself to surmount.

Whatever the reason...I wish we had the power behind our convictions today that we did back then.

This book is one you'll be glad you read.  It's a quick read with a heart-warming message of love and triumph...with a bit of rock 'n roll to spice it up, and a bit of sobriety to leave us thinking.

Deborah/TheBookishDame

*PS:  Order it from me at Amazon.com on my side bar?  This is an amazingly well priced book!
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Posted in Author Interview, Book Review, General Fiction, Richard Barager | No comments

Hemingway's Birthday~ We Remember You, Always...

Posted on 18:29 by john mycal





Guest blogger Paula McLain, the author of The Paris Wife reminisces about Ernest Hemingway on today, his birthday.

Ernest Hemingway was born on July 21, 1899, in a wrought-iron bed on the second floor of a Queen Anne house in Oak Park, Illinois. The house still stands, as does the bed--but what’s even more a marvel is that 112 years after his birth, Hemingway himself is still going strong. His life and work are as interesting and relevant as ever, and, well, the man seems to be everywhere. This year alone he’s the subject of my novel, The Paris Wife; an HBO biopic in production, Hemingway and Gelhorn, about his fiery third marriage (Clive Owen will play Hemingway opposite Nicole Kidman, James Gandolfini produces); and Midnight in Paris, a feature film by Woody Allen, which opened the Cannes Film Festival in April and is currently enchanting audiences nationwide.

What Hemingway would have thought about all the hubbub, I wouldn’t try to guess. Though he spent most of his adult life cutting a very public figure, he placed a high value on solitude, and had an abiding fondness for the deep privacy of nature. He spent nearly every summer of his boyhood in Michigan’s north woods, and made his first trip there when he was just seven weeks old. The journey north was by no means easy at the turn-of-the-century. First there was the train from Oak Park into Chicago, then a horse-drawn cab to the pier on Lake Michigan where the Hemingways boarded a steamer to Petoskey. Once there, they took two different rail lines, and finally climbed into a rowboat that deposited them at a lovely piece of lakefront property Ernest’s doctor father had purchased the summer before. A cottage was eventually built on the site, dubbed Windemere by Ernest’s romantically-inclined mother, and the growing family returned there summer after summer, creating memories that later fed Hemingway’s imagination (see the Nick Adams stories in particular), and his soul.

Unlike the author’s Oak Park birthplace, Windemere isn’t open to the public. Hemingway’s nephew Ernie Mainland still spends summers there, and privileges privacy as much as his famous uncle. This past spring, I was lucky enough to be invited to the cottage for a brief personal tour. I was asked not to take any photographs, but stood for a long time by the hearth, where Ernest and his first wife Hadley dragged mattresses to make a cozy honeymoon nest in 1921. Opposite the hearth is a doorjamb with pencil tics recording the heights of the six Hemingway children. There was Ernest at age 14, standing 5’4 inches. And there he was at 17, having “sprung up,” as they say, to 5’11.’’ I confess I got goose bumps at this simple but profound sign of his coming of age. Scores of years later, I stand to salute Hemingway in his manifold complexity--the boy he was, the man he became, the author we still have much to learn from, and the myth we may never pierce through, no matter how we peer and scrutinize.

Happy birthday, Ernest.

The Dame Says:
Happy birthday, indeed, dear Ernest.  You were a comet in the literary night, but one who's left an everlasting trail for us to enjoy.
There are a series of new non-fiction books written about Hemingway, his life, his wives, and his close association with F. Scott Fitzgerald, recently.  A couple of weeks ago BookTV sponsored an indepth, riviting interview with professors and writers on Hemingway, as well as a brief tour of Key West and his home there.

On another pleasant front, the movie, "In Love and War" detailed below is one of the most beautifully romantic movies of recent years. 



Netflix WriteUp:
This romantic historical drama is based on the diaries of Agnes Von Kurowsky, who while serving as a nurse during World War I had a love affair with a young man who would later become one of the great literary figures of the 20th century, Ernest Hemingway. In 1918, 18-year-old Hemingway has volunteered to fight in the great war; while he goes into battle imagining it to be a lark, he soon discovers that the realities of warfare are far more grim, and during a shelling attack in Italy, his leg is severely wounded. Hemingway has taken a great deal of shrapnel, and the doctors at the field hospital decide that amputation would be the quickest and most effective way to deal with the injury. However, the idea of losing a leg horrifies Hemingway, and he pleads with Agnes (Sandra Bullock), the Austrian nurse looking after him, not to let the doctors cut off his limb. Moved by Hemingway's concern, Agnes convinces the doctors to pursue other treatments, and she looks after him during his long and difficult convalescence. Love and passion bloom between the young and naive soldier and the 26-year-old nurse, but while he's eager for her to return home with him as he follows his muse as a writer, she regards him not as the love of her life but as a passing fling and thinks that he's too young to marry. Agnes eventually sends Hemingway a "Dear John" letter; later Hemingway would use her as the basis for several characters in his novels and short stories, not always flatteringly. In Love and War was directed by Richard Attenborough, previously an Academy Award winner for Gandhi. - Mark Deming, Rovi


Dame's Final Word :
Please join me in celebrating Hemingway's birthday today by indulging in a reading of one of his short stories, or a start of one of his beautiful books...or even viewing this beautiful movie, above. 

Deborah/YourBookishDame
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Posted in General Fiction, Hemingway, Paula McLain, Women Writers | No comments
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