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Friday, 30 September 2011

"Gate-Keeping" on YA Fiction~Should Adults Devise System To X-Rate Their Books?

Posted on 12:03 by john mycal





Read What You Want!




The Dame's Controversial Post:

I've just come across this article following, and thought it might be of interest to you.

BEAUnhomie: YA Fiction

Posted by Beaufort Books • June 20th, 2011
A few weeks back, Wall Street Journal children’s book reviewer Meghan Cox Gourdon published a controversial article lamenting the “explicit abuse, violence, and depravity” rife in today’s young adult fiction. The topic quickly generated a lot of buzz on Twitter and immediately drew criticism from media outlets, YA authors, and the ALA. Yet with all of the outcry from true-blue adults, I felt that it might be time for a young adult voice to chime in. (Though obviously I’m not the first — I myself only stumbled upon the issue when reading a friend’s blog post, from where she is interning at a conservative news site.)

Articles like Gourdon’s tend to surface a few times a year, all with a certain fundamental problem: most of their writers seem to have totally forgotten what it was like to be a young reader. In fact, I suspect that they forgot what it was like to be a young adult. Their criticisms of modern fiction for being too dark or too sad, and their passionate defense of their children’s “happiness, moral development and tenderness of heart,”  originates from idealized visions of youth. True, I’m not really old enough to have earned much nostalgia, but I have found that nostalgia tends to cloud memory more than clarify it. In falling prey to nostalgia, many have glossed over the reality of growing up: the curiosity and confusion, the exploration and missteps.  It would be a very strange and sanitized childhood that had absolutely no contact with death, or depression, or pain, or sex. YA literature, as with all literature, provides a means of understanding that.

Adolescence requires darker and more complex literature than what many adults seem to expect. But the darkness in YA lit is not just craven, opportunistic reactiveness. It provides a way out. Though Gourdon is right to say that entertainment shapes taste, she forgets the other half of the equation: when need creates a space that art is called to fill. The “moral development” that she calls for is admirable, but what does morality even mean when there are no stakes? Can there really be redemption without trauma or fallenness? There’s a much stronger, brighter moral vision to be found in Harry Potter than there ever is in Nancy Drew. And Ponyboy’s promise to “stay gold” can only inspire readers after they’ve witnessed how difficult it is for him to do so.

There is no doubt that there is good and bad YA fiction. In response to Gourdon’s article, many have called for a kind of “ratings system” that would alert parents to mature themes or objectionable material. The rationale is that if such a system is in place for video games or films, there should be one for literature. However, I think that this system would be profoundly unhelpful as a filter, and would in fact impede the reading experience. Gourdon bristles at being called a “f—ing gatekeeper,” retorting that she calls it “judgment,” “taste,” or “parenting.” All three of these things are good. Gates, even, are good. But none of these are substitutes for guidance, for actual reading, for actually determining quality. It’s downright silly to boil “appropriateness” down to a calculus of nudity and blood. Ratings systems are inherently ham-handed; they don’t account for good writing or good storytelling, and they have no idea what to do with “thematic material.” They would be very poorly-conceived gates.
And as someone who is on the uncertain cusp of young adulthood and adulthood, I would like to advocate for a certain level of inappropriateness. I was always a fairly avid reader; I’m not sure a single school year went by, from kindergarten through senior year, without my being lectured by a teacher for reading a novel under my desk. Reading at inappropriate times characterized my childhood, and reading at inappropriate ages did too. I found that I reacted in three ways to these “above grade-level” books. First, I would put it down, because my total incomprehension made for a very boring reading experience. Second, I would put it down, due to lesser grade of confusion, colored sometimes by shock. Third, I would keep on reading, and learn something valuable from it. Those jolts of discovery are part of reading. They’re part of growing up.

Moreover, I would argue that young people who pick up books with serious themes are young adults who want to be Serious, and they are generally preferable to people who exclusively read about sunshine, just as they are preferable to people who only listen to the Jonas Brothers and Taylor Swift. (But that’s another beef for another time.) Kids who truly love to read never take kindly to being limited. Their natural inquisitiveness will lead them wherever it will.

*This article is continued via:   http://www.beaufortbooks.com/2011/06/beaunhomie-ya-fiction

The Dame's Take on This:

First I want to express my awe and congratulations to the intelligent and wholly forthright young adult author of the above article. This is an important question that begs an answer from the young people whose reading freedoms such a concept; and, perhaps eventual "gatekeeping," would affect. What an apt representative they have in this young writer.

The whole article is not posted here, and I beg you to click on the link and finish the read because of it's significance.

My thoughts on the subject have mostly to do with my experiences and belief in personal freedoms of spirit and mind.  I love books, love authors; and, I love readers of any age who seek "discussion" and wisdom from the writings of good author's who have posed in their stories questions of life, its strangeness, struggles, and over-comings. 

When I was a teen, having been a wolfish reader since a tot, much of my time was spent at the library.  I lived on a military base in Europe for most of my teen years.  There were no American book shops available, no internet, and no young adult novels. Categories of books in my libraries went from children's to older children's and took a leap to adult literature in those days.  I read what interested me and what I "could" read.

Had anyone imposed their rules on me regarding what I could and could not read because of ratings in reference to morality or spiritual content, I would have most certainly rebelled.  Why?  Because I was an intelligent, mature, comprehending reader, who always chose books well above my conceived age group.  I was taught early on to evaluate what I read.  Just as young people are taught today.  I was taught that stories in books are make believe sometimes.  Just as young people are aware today.  And, I was taught to look for the over-all moral of a story.  What was the finest moment of a book?  What did it have to say that would enhance my life and learning?

Only once did my dad question what I was reading and listening to, and that, not to me, face-to-face.  He shouted to my mother, "Do you see what she's reading and listening to shut away in that room?"  :]   This is what it was: "The Group" by Mary MacCarthy, and Bob Dylan...16 years old and clearly, I was out of control!  It was 1966.  LOL  But, neither my mother nor my father came into my room and took away my book(s) or music.  My dad only asked if he could see the book to read it, and then he passed it back to me later with a nod.

I believe that if a time should come when our society decides to "ban" or "conscribe" (in this context, my own word meaning to set a compulsory moral judgement upon) young people's books, we will have reached a time of great danger. We know  that banning and burning books is a foreshadowing of tyranny; that Nazi Germany, as well as China in its Cultural Revolution, chose to arrest people of culture, to destroy books to wipe out "other-thoughts," and we can easily piece together the awareness certain human rights are destroyed when anyone tells another what they can or cannot read.

I'm against any type of censoring of books.  Let the reader choose.  Because I loved Anne Rice's vampires in my young adult years didn't make me a vampire, an immoral person, wicked or warped of mind.  Rather, it broadened my mind, causing me to do research with a renewed interest in many things, since Anne always included pieces of culture in her writing; i.e., classical music, fine art and sculpture, museums, exotic cities throughout the world and the United States, costuming and interior design, wines, and theatre--just for starters! She also supported reading through her characters as they strove to educate themselves and broaden their minds...monsters, vampires, castratos, witches, gouls, alike!

I also found it interesting that the topic of what's a male and what's a female book came up in the article's discussion.  Funny that I have not known this gender-bias in book selections for myself, my children or my grandchildren.  Haven't ever recognized them except in a passing, curious thought.  And when the thought did cross my mind, with regard to my grandchildren, I thought better of considering it an issue!  Although I could see why some would think romance novels were for women; in fact, I've seen men reading them on several occasions.  Likewise, I've been known to read what some might consider "men's" literature...when I read all of the James Bond novels at 14 yrs. old, for instance.  Seems so crazy to label books gender-specific.  However, let this also be a word of caution to women and men.

What are your thoughts on these controversial issues, particularly as Banned Books Week comes to an end?

Thank you for stopping by and reading,

Deborah/TheBookishDame

P.S.  Who was Huck Finn written for, anyway?  Specific gender?
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Posted in Reading, YA fiction | No comments

Thursday, 29 September 2011

Sex and the Writer

Posted on 13:49 by john mycal
This is a great discussion on writing about sex! Also, you'll love Teresa's blog. #c7253975647723245103
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Posted in Writing | No comments

"Dead Bad Things" by Gary McMahon~Twilight Zonish Horror/Thriller!

Posted on 10:56 by john mycal


Published by: Angry Robot/Osprey
Author's website:  http://www.garymcmahon.com/ 
Release Date Scheduled:  September 27, 2011
Purchase:  Amazon - $7.79 for Kindle



Synopsis :
Thomas Usher, a reluctant psychic, has gone off the radar in London, hiding from the fall-out of a previous case involving a missing young girl and several hanged strippers. Before long, and as if to confirm that he can never truly hide from the dead, Usher starts receiving messages - a clockwork voice on the phone, a Rwandan psychic who hears voices, hellish visions in a derelict riverside warehouse. Usher slowly realises that the answers to these riddles, and perhaps to the questions he has never dared ask about his personal history, will only be revealed if he returns home to Leeds...

Sarah Doherty is a police constable in Leeds. She and her partner - who is also her lover - are drawn into a nightmare when they find the mutilated body of a young boy. Is there some kind of serial killer operating on their patch, or do these grim discoveries point to something even worse - something from Sarah's own past, and involving her emotionally damaged family?

Trevor Dove is a disgraced showman, a flamboyant theatrical medium once exposed as a fraud by Thomas Usher. But the truth is, Dove did once possess a genuine ability to talk with the dead, and when he meets the Pilgrim - a shadowy figure from Thomas Usher's tragic past - he begins to rediscover his gift and unearth secrets that will place his very soul in peril. Driven by a thirst for revenge, he is fated to bring together Usher, Doherty and the Pilgrim in a confrontation that will undermine the fabric of reality.

The Dame Reviews:

Horror fans listen up!  This book is a smash hit.  I'm not ordinarily a reader of such books; and, actually I didn't know what I was getting into when I decided to read "Dead Bad Things."  However, this book captured me from the first page, and off I went on a thrilling ride of horror and suspense unlike any I'd been on for quite some time!  This book reminded me of early Stephen King and Dean Koontz so much that I found myself grinning at the oddest times with nostalgia.  It took me by surprise...difficult to do considering the amount of books I read!

Grim and gripping from the first moments we learn that a man is lamenting over the shallow grave of a tiny boy whom he's killed, and that he's receiving a baby girl from a darkly disguised "angel;" this book never stops driving us to its final conclusion.  Gary McMahon is a horror fiction writer best known in the UK where several of his books have been previously published.  I'm glad we finally are being acquainted with his books here.  I look forward to reading more.

I found McMahon's writing style captivating and descriptive to a point of sharpness.  He made even his supernatural characters believable and horrendous.  They were well imagined and fearful...not too "out of this world," but just to the edge of it and possible enough to be plausible.  This made the story scary and charged with suspense. 

Sarah was an undoubted favorite character for me.  I always love a feisty female who can beat the worst guy at his own game.  She is a fast thinking and tough reacting police detective who walks through her fears as valiantly as any superhero we can remember.  I'd go anywhere scary with Sarah in the lead!  I'd love to hear more of her in the future.

Thomas Usher, the dead-listening/seeing "angel-like" man, who plays a huge part in this novel, is mystery-clouded and we can enjoy uncovering who he actually is and why he's come into the arena of Sarah's life.  I especially loved reading about his search in the clairvoyant area.  So much fun!

Once we meet the dark angels and torturers, it's like reading the best and worst of horror stories.  Greatly interesting, enjoyable and something that makes you want to put your hands over your eyes at the same time.  As a reader of much softer literature, I was reading with "bug eyes," believe me!  This is an adult, sophisticated horror story!

I recommend this book to those who enjoy reading horror/suspense books.  It's not, after all, a Stephen King but it is a good book for a stormy night or two. 

I really enjoyed the book for a change in pace; after all, who hasn't seen a ghost or two--I have; haven't you?  

This one to keep an eye out for...
Second in a series about Thomas Usher.

4 stars

Deborah/TheBookishDame
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Posted in detectives, Gary McMahon, ghosts, horror, paranormal, Suspense Thrillers | No comments

"Dead Celebrities Cookbook..." by Frank DeCaro~Deathly Hallows Never Tasted So Good!

Posted on 10:40 by john mycal
Title:  Dead Celebrities Cookbook: A Resurrection of Recipes from the More Than 145 Stars of Stage and Screen
Published by: HCI
Pages:  385
Genre:  House & Garden, Cookbooks


Book Summary :

If you've ever fantasized about feasting on Frank Sinatra's Barbecued Lamb, lunching on Lucille Ball's "Chinese-y Thing," diving ever-so-neatly into Joan Crawford's Poached Salmon, or wrapping your lips around Rock Hudson's cannoli – and really, who hasn't? – hold on to your oven mitts!
  
In The Dead Celebrity Cookbook: A Resurrection of Recipes by 150 Stars of Stage and Screen, Frank DeCaro—the flamboyantly funny Sirius XM radio personality best known for his six-and-a-half-year stint as the movie critic on The Daily Show with Jon Stewart—collects hundreds of recipes passed on from legendary stars of stage and screen, proving that before there were celebrity chefs, there were celebrities who fancied themselves chefs.
 
Their all-but-forgotten recipes—rescued from out-of-print cookbooks, musty biographies, vintage magazines, and dusty pamphlets—suggest a style of home entertaining ripe for reexamination if not revival, while reminding intrepid gourmands that, for better or worse, Hollywood doesn't make celebrities (or cooks) like it used to.

Starring
Elizabeth Taylor's Chicken with Avocado and Mushrooms
Farrah Fawcett's Sausage and Peppers
Liberace's Sticky Buns
Bette Davis's Red Flannel Hash
Bea Arthur's Good Morning Mushroom Tomato Toast
Dudley Moore's Crème Brûlée
Gypsy Rose Lee's Portuguese Fish Chowder
John Ritter's Famous Fudge
Andy Warhol's Ghoulish Goulash
Vincent Price's Pepper Steak
Johnny Cash's Old Iron Pot Family-Style Chili
Vivian Vance's Chicken Kiev
Sebastian Cabot's Avocado Surprise
Lawrence Welk's Vegetable Croquettes
Ann Miller's Cheese Soufflé
Jerry Orbach's Trifle
Totie Fields's Fruit Mellow
Irene Ryan's Tipsy Basingstoke
Klaus Nomi's Key Lime Tart
Richard Deacon's Bitter and Booze
Sonny Bono's Spaghetti with Fresh Tomato Sauce


And many others from breakfast to dessert.


Your Dame's Spicey Review:

"The Dead Celebrity Cookbook" makes you wish you were at a banquet of the dead.  Honestly,  Frank DeCaro tells tales of celebrities and shares their secret, homey recipes in such a way that you want to go "down under" with them.  Alas, it's impossible--to most of us!  For cookbook readers everywhere...this is one for your library.

Mr. Decaro is a funny character, and a gifted writer.  His characterizations and talent for focusing on perfect highlights that show us the nature of famous celebrities, brings a certain bubbly brightness to his cookbook.  When you read his quips and synopses of such celebrities as Johnny Carson and Joan Crawford you can't help feeling they are people you could spend time with over dinner. 

Let's talk about the recipes.  Man, oh, man!  There are sooo many to try!  As a Southerner, I have to try Johnny Cash's fried okra.  There are pies galore, lots of fish and casseroles.  Yum!  These celebs knew how to cook and entertain friends;  I suspect the gatherings were like family times.  Interestingly enough, many were health conscious; probably in order to keep those beautiful figures.

Set into categories, such as:  Batman Capers, I Lunch Lucy, and Watching A Detective (Cook), just to mention a few, and to give you an idea of how much fun this cookbook is.  The tidbits of information about cast members of famous shows brings back memories!  I loved being reminded about Dinah Shore, Merv Griffin and others... And, having a Bette Davis recipe is practically like gold for a fan like I am.

When all's said and done, I'd kill (die) for this cookbook.  It's a dance with the dead that will stick with you and will offer friends a ghostly conversation at a dead celebrity-based dinner party.  What fun to know so many details of the actors we grew up watching, believing in and loving.  Here's to Frank DeCaro for bringing us this wonderful book...and here's looking at all our beloved celebrities.

How about a Halloween Dinner Party using this crazy cookbook this year!?  Fabuloso!

5 stars for this cookbook keeper!

Deborah/TheBookishDame
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Posted in Bette Davis, celebrities, cookbook, dead people, Halloween, Memoirs and Non-Fiction, Memoirs and Other | No comments

"Nightshade" Author Signs Huge Deal w/ Penguin for Steampunk Series! Maryann Yin posts news...

Posted on 09:31 by john mycal
Published by:  Penguin Group
Pages: 480
Genre:  YA fiction
Released:  June 2010


Summary:

"Nightshade" ~ Calla is the alpha female of a shape-shifting wolf pack. She is destined to marry Ren Laroche, the pack's alpha male. Together, they would rule their pack, guarding sacred sites for the Keepers. But then, Calla saves a beautiful human boy, who captures her heart. Calla begins to question everything - her fate, her existence, and her world and the orders the Keepers have asked her to follow. She will have to make a choice. But will she follow her heart if it means losing everything, including her own life?


NOTE from the Dame:

Media Bistro's,"Galley Cat," newsreporter Maryann Yin has released yet another scoop detailing author, Andrea Cremer's deal with Penguin for a steampunk series!  Given Cremer's success with "Nightshade," I can only grit my teeth and yearn for the release of the first book!
But, first, here's one of Yin's interviews with Ms Cremer, who's just a young adult, herself talking about "Nightshade"~


Interview with Andrea :  October 22, 2010


Andrea Cremer (pictured) did that in her debut novel, Nightshade. She used her scholarship and research to incorporate social issues about gender, power struggles, and sexuality into her book. We caught up with Andrea to find out a little bit more.

Q: Nightshade is about a werewolf. How do you stick to conventional werewolf canon and mythology and how do you deviate?

A: One of the things about Nightshade that I think is really different is that it’s described as a werewolf book, but I often tell people it’s not a werewolf book because it does break so much from werewolf convention. I grew up in the north woods of Wisconsin. I’m literally right on Lake Superior and in the middle of a national forest, so the wilderness to me was something that was really wonderful. I spent most of my days as a young girl out making up imaginary worlds and imaginary people with my brother and my best friend in the forest. That was the way we liked to spend our days.

Wolves and other wild animals to me were always fascinating; they weren’t something that were scary or monstrous, they were just cool. And so, I never pictured myself actually liking werewolves in terms of people picking teams for either vampires or werewolves. In all my reading, I had always firmly been in the vampire camp. I couldn’t figure out why it was that I didn’t like werewolves.

So when I got the idea for Nightshade and it was inspired by the main character, Calla [Tor] who is the alpha female wolf of the pack, I knew she was a girl and I knew she was a wolf. I felt just stuck because ‘Well, I don’t like werewolves so how am I going to write a book about a girl who’s a werewolf?’ And I realized what I needed to do was to create a new mythology of wolves that matched the way I felt about them.

That wasn’t wolves who were half-man/half-beast and its hideous mutations where it took an awful amount of time to change that involved the cracking of bones and lengthening of snouts and left you with something that was just awful to look at. But, was actually a creature that was fully wolf and fully human; Calla and her pack love their ability to change into wolves. That it was an instantaneous change and something they considered to be a gift; that it wasn’t a disease or a curse the way so many werewolf mythologies have been portrayed.

Q: How do you handle writing about touchy subject matters like the violence, gender issues, power struggles, and sexuality featured in Nightshade?

A: I have a “day job.” It’s definitely more than a day job; I’m a history professor. I have a PhD in early modern history and my research specialization is the history of sexuality and violence, particularly the way it ties into warfare and religion. So just in studying the history of gender politics and sexuality for the last ten years, it was what I wrote my PhD on. It’s something that I have just been aware of in all the historical research I’ve done as a major under-fitting of the construction of human society. To write a story that was largely about power and struggles for power. It’s a coming-of-age story about this girl’s sexual awakening and her struggle to maintain her identity despite external forces that are trying to limit her strength.

It was so important for me to have those issues at the forefront because I think books offer a really important safe space for people of all ages, teens especially because they really need those spaces but I think adults as well. To be able to reflect on the way society puts expectations for sexuality and gender out there and try over and over again to thwart them. Sometimes it’s in very subtle ways through media and pop culture. Other ways it’s very overt in actual forms violence for people who step out what are considered to be societal norms. I really wanted to not be afraid to touch on those issues, not just even touch on them but really explore them.

In the book, I really wanted to address sexual double standards for young men and young women. It’s such a huge, huge problem that’s infuriating. More and more women are strong and in positions of power in society, yet still we have an attitude of girls have to be responsible for their sexuality but boys will be boys. I just feel like that happens over and over again. The recent slew of stories about texting scandals and bullying in schools towards LGBT students, but also straight students, the blame is almost always put on the girls for not being sexually responsible and not acting like good girls. And for boys it’s just, ‘Oh, boys will be boys. Of course, they’re going to spread around this scandal because they’re boys.’ I feel like that is something that hurts our society so much and sends a terrible message to girls about trying to figure out who they are and what their place can be in the world. I just really wanted to hit on those issues without fear.

Q: What courses do you teach at Macalester College?

A: I teach courses on violence in early American history (colonial through the Civil War), gender and sexuality, Native American history, historical philosophy and methodology, and religion in early modern history (1500-1800).

Q: Describe your writing process.

A: My writing process is really chaotic. I don’t write chronologically. I write scenes as they come into my mind. So what I do is, the key conflicts and key points tend jump into my head as I’m thinking about the story. I just write them down as I feel them. I feel like I almost go into a trance when I write; it takes over my entire life. When I’m in the middle of writing a first draft it happens very quickly. I wrote the first draft of Nightshade between Thanksgiving and Christmas Day. There’s a lot of revising that happens after that, but the initial process is just all consuming. I’ll do things like pour orange juice on my cereal, throw clothes into the trash instead of the laundry hamper, or get into the shower and get right out again having totally forgotten to wash my hair because I’m just so lost in the story. When I write, I basically create those major scenes and then it’s almost like a web of thinking about how they’re connected. I refer to myself as jigsaw puzzle-writer because I end up with all these pieces and then it’s fitting them together to make the story.

Q: What are the differences between writing academic papers and fiction novels?

A: In academic writing you make an argument and defend it using evidence that other scholars can track, vis a vis footnotes. When writing a novel I’ve found that my process is much more about being carried away by the story rather than deconstructing its content.

Q: What plans do you have for future projects?

A: Nightshade is a trilogy. The second book Wolfsbane will be published in July 2011 and book three, Bloodrose, is due out spring 2012. The fourth book is a prequel to the series that chronicles the origins of the Witches War in the 1400s. I’m working on a steampunk trilogy that I describe as historical dystopia about an alternate 19th century where the American Revolution failed. The steampunk is not as yet under contract.

Full Disclosure: This GalleyCat Correspondent has been an intern at Penguin Group (USA) in the past
Now:  Maryann Lin's Newest Article:  September 27, 2011Nightshade trilogy author Andrea Creamer has inked a deal with Penguin Group (USA)’s Philomel imprint for a new YA steampunk series.

The first book, titled The Inventor’s Secret, is slated for publication in fall 2013. Executive editor Jill Santopolo negotiated the deal with InkWell Management literary agents Richard Pine and Charlie Olsen.
Here’s more from the release: “The series is set in an alternate nineteenth-century North America where the Revolutionary War never took place and the British Empire has expanded into a global juggernaut propelled by marvelous and horrible machinery…As part of the deal, Philomel has also acquired a second prequel to Nightshade entitled RISE, which is scheduled for publication in summer 2013. The first prequel to Nightshade,entitled RIFT, is scheduled for publication in fall 2012.” (Photo Credit: Gina Monroe)

In addition to the Nightshade prequels, Cremer will wrap up the trilogy with Bloodrose which will be released in January 2012. She also has a collaborative book project with Will Grayson, Will Grayson author David Levithan in the works; this project is called The Invisibility Curse and will be published in 2013.


The Dame's Final Word:My thanks to Maryann Lin and Andrea Cremer for sharing this great news with those of us who love her books!  Meanwhile, any of my readers who've missed reading "Nightshade," need to catch the wave!

I saw her final book in this series at the bookstore yesterday. The covers are going to look gorgeous on library shelves, y'all!
You really have to go to Amazon to see the book write-up


Deborah/TheBookishDame
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Posted in Andrea Cremer, Galley Cat, Gothic, Maryann Lin, Penguin Group, steampunk, werewolves, YA fiction | No comments

Wednesday, 28 September 2011

Teen-aged Girls & Predators~"Dark Song" by Gail Giles

Posted on 02:26 by john mycal
Published by:  Hachette Book Group
Little, Brown and Company
Pages:  320
Genre:  Fiction, YA Fiction


Summary:

Ames Ford has a perfect life--that is, she had a perfect life, until her father is fired and her family has to move from their mansion in Colorado to a slum in Texas. Now her mother won't stop yelling, her father won't stop drinking, and her little sister hides with a pillow over her head to drown out the fighting.

But then Ames meets Marc: Mysterious. Experienced. Rebellious. Gun-obsessed. He loves her more than anything, and he won't let anyone stand in his way where Ames is concerned--especially her parents. And when was the last time they did anything but ignore, dismiss, or hurt her? Ames must now decide just how far she's willing to go for loyalty, for revenge, and for love and if she's willing to commit the ultimate betrayal against her family.
 
Gail Giles, acclaimed author of What Happened to Cass McBride? and Shattering Glass, will have you questioning what you'd do at your breaking point.

The Dame Reviews :

Riveting book!  I thought this might just be a quick read pretty much without consequence...just a good story.  It's not.  It's a book that sits one back in the chair with a serious, cautionary tale.  I think it's a "must read" for parents of teen agers who use social media.

Gail Giles immediately enlists our sympathies for a father who has just been fired, a mother trying her best to cope, and teen aged, Ames, who's basically a "good kid" just trying to cope with private school.  Ames is kind to her little sister, thoughtful of her dad, and trying to understand her often bitchy mother who is controlling and demanding of all the family. 

Giles's command of characterization is sound and strong. These characters leap off the page with realism. They are the typical suburban family we are, or know.  It's a little bit voyeuristic!  Giles nails it on the head, here.

The emotional pitfalls each family member experiences as they adjust to the darker sides of themselves and eachother, are wonderfully sketched.  This is one of my favorite parts of Ms Giles novel.  It's honest and shines a light where we like to keep the shutters closed.  I like this kind of honesty and no sugar-coating in my authors.  Again,  insightful.  What we learn about human nature through the vehicle of these characters is tremendous.  "You're not the only one who feels this way" storytelling is always a good sign!

Mostly, I want to recommend this book in the strongest way possible for its stand on the dangers of predators who are lurking on social sites, hoping to entrap young children and young adults.  It's such an important issue, and I want to thank Ms Giles for taking up the story and writing this book for YA's and parents.

Without saying more that would give her story away, I want to also tell you that I loved her moral warning, as well, to parents that being honest and forthright with children is always the best route to take. Lying to protect them, doesn't protect them.  Lies always cause trouble.

Young adults will love the story, and parents will, too.

5 stars for an enlightening and needful book

Deborah/TheBookishDame
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Posted in controlling mothers, family dynamics, Gail Giles, predators, teen aged dangers, YA fiction | No comments

Saturday, 24 September 2011

Angels with Extraordinary Deviousness~"Angelology" a novel by Danielle Trussoni

Posted on 18:02 by john mycal
Published by: Penguin Group
Pages: 480 Paperback
Date released in Paperback:  February 2011
Recognition:  New York Times Notable Book



Summary :

A thrilling epic about an ancient clash reignited in our time- between a hidden society and heaven's darkest creatures.
 
There were giants in the earth in those days; and also after that, when the sons of God came in unto the daughters of men, and they bore children to them.
Genesis 6:5

 
Sister Evangeline was just a girl when her father entrusted her to the Franciscan Sisters of Perpetual Adoration in upstate New York. Now, at twenty-three, her discovery of a 1943 letter from the famous philanthropist Abigail Rockefeller to the late mother superior of Saint Rose Convent plunges Evangeline into a secret history that stretches back a thousand years: an ancient conflict between the Society of Angelologists and the monstrously beautiful descendants of angels and humans, the Nephilim.
 
For the secrets these letters guard are desperately coveted by the once-powerful Nephilim, who aim to perpetuate war, subvert the good in humanity, and dominate mankind. Generations of angelologists have devoted their lives to stopping them, and their shared mission, which Evangeline has long been destined to join, reaches from her bucolic abbey on the Hudson to the apex of insular wealth in New York, to the Montparnasse cemetery in Paris and the mountains of Bulgaria.
 
Rich in history, full of mesmerizing characters, and wondrously conceived, Angelology blends biblical lore, the myth of Orpheus and the Miltonic visions of Paradise Lost into a riveting tale of ordinary people engaged in a battle that will determine the fate of the world.


The Dame's Review:

This is a book you have to find and spend your weekend reading.  I promise you it will be one of the best books you'll read this season. 

Danielle Trussoni absolutely has a golden hand.  She's an author who captures the imagination from the beginning and keeps it throughout.  I was so enamored of this book that I could hardly wait to get back to it when distractions interrupted.  It's so beautifully written:  gothic, gorgeous in description, fantastic in imagination.

I personally loved most her descriptions of characters and places.  It was a subject to fixate my mind, causing me to see with my mind's eye the beautiful angels and primary characters who interacted with them.  I could also envision the convent, gleaming high rises, homes, caverns and Nazi headquarters that Trussoni describes.  She is a master author in this area.

The mystery of why Evangeline is left at a convent by her father, why she's been so protected by the sisters there, and what her purpose may be in life is only the tip of the iceburg in this lush novel.  It's the things we learn afterwards about the angels she comes to know, their secrets, and how she'll manage her journey and responses to them that make up the most glorious and absorbing parts of the book.

I absolutely adore this book for so many reasons.  It's especially well written, its gothic details are wonderful, it bristles with magical mysteries, the angels are gorgeous and demonic, Evangeline is a perfect heroine to identify with, and the whole experience is brilliant.



Sumptuous and exciting, this book has religious and historical interest to accompany the rest as mentioned above.  Having spent half of my college education in Munich, Germany, it was a treat to read her writings about Evangeline in Nazi Germany!  What a perfect time for the fallen angels to make a stronghold for their evil plotting. Great fun to be taken back to Germany in this imaginative way.

The Nephilim will steal your hearts even though they are devious, they are magnificent!  And, who could believe she'd throw Abigail Rockefeller into the mix like that?  Awesome in so many details.

This is definitely another book for your stacks!

5 fabulous stars

Deborah/TheBookishDame

PS:  I couldn't help showing that picture of the full-bodied angel cover....  :]
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Posted in Danielle Trussoni, General Fiction, Gothic | No comments

"The Night Circus"~What's This About It Being The "New Harry Potter?"

Posted on 14:07 by john mycal



I just received my copy of "The Night Circus," and I'm worried I'm the last to get it, and by the time I force myself to read it, I'll also be the last to review it.  Is it really the "new Harry Potter" as some are calling it? 


If it's true about the Harry Potter reference, I'm shell-shocked.  I had trouble enough starting that series!  Once I did, I was so enamored of it that I became obsessive.  I still haven't read the end of "...Deathly Hallows."  I can't bring myself to allow it all to end.  I've even refused to see the movie, yet.  See what a die hard I-don't-know-what I am about Harry and troupe?


Now comes this "..Night Circus" and I'm worried the same thing will happen to me.  Plus, I don't want to be the last one to review it.

Help me out, here.  Do you really think it's the new....?  Because if it is, I'm in serious trouble.

Deborah/TheBookishDame



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Posted in Erin Morgenstern, fantasy, YA fiction | No comments

Friday, 23 September 2011

New Orleans Decorating~"Big Easy Style:Creating Rooms You Love to Live In" by Bryan Batt

Posted on 11:57 by john mycal
Published by:  Crown
Release Date:  October 4, 2011
Pre-release Price:  Available
Pages:  208 including photos
Hardcover


Overview :  (Taken from book)

An enchanting space that’s truly unique calls for a sense of humor, whimsy, and an open mind.
From a charmed New Orleans childhood to a successful acting career on Broadway and the award-winning TV show Mad Men to the opening of his popular Big Easy home furnishings boutique, Hazelnut, Bryan Batt has always turned to home design as a creative outlet.

To him, the best rooms are unexpected yet refined and, above all, evoke emotion. He doesn’t think twice about hanging over sized decorations from a Mardi Gras float in an elegant dining room or bringing home vintage etchings of sconces when he was actually shopping for real ones. He believes that a vibrant orange wall can be a neutral backdrop for an antique writing desk and earthy accessories, and that an artist’s whimsical bird’s nest sculpture hung in a lavender entryway couldn’t serve as a better welcome into a cozy abode. New Orleans has taught Bryan so much about how to pull together a space that’s fearless and colorful with plenty of panache. With the city as his muse—its strong roots in history, its celebration of tradition, and, of course, the wild festivities of Mardi Gras—he believes that designing a fabulous, livable home that truly reflects a dweller’s passions need not be intimidating.

Big, Easy Style showcases rooms that make Bryan smile, with pages of rich photography featuring the work of many designers—and plenty of Crescent City interiors—framed by his own entertaining maxims on color, pattern, collecting, living areas, intimate spaces, and more. Explore rooms he’s personally designed and others that inspire him; from an old-world kitchen imported straight from the heart of France to a luxurious Art Deco media room, these homes are enticing and unique, and through their surprising details, completely inviting. 


Decorating your home to reflect your personality and taste takes practice and patience and can be a daunting undertaking, but Bryan proposes that we not worry about making mistakes, that any decision we make is better than no decision at all. With Big, Easy Style, learn how to put aside your hesitation and surrender to the wild side of home design for a big statement that’s easy to achieve.

Let's Meet Bryan!

BRYAN BATT (actor, designer, civic activist, and author) is most recently known for his two-time Screen Actors Guild Award winning performance as “Salvatore Romano” in AMC’s critically acclaimed dramatic series MAD MEN, which has been lauded with awards including Emmys, Golden Globes, the Screen Actors Guild as well as the Peabody awards.

Bryan is also a designer. He and Tom Cianfichi, his partner of 22 years, are the nationally recognized creative forces behind HAZELNUT, a fine gift and home accessories shop in his home town of New Orleans. HAZELNUT has been featured in the NEW YORK TIMES, HOUSE BEAUTIFUL, IN STYLE, FOOD AND WINE, TOWN AND COUNTRY and many more publications.

His debut book, a memoir, or as he calls it, a momoir, “SHE AIN’T HEAVY, SHE’S MY MOTHER,” celebrates his Steel Magnolia / Auntie Mame of a mom and depicts growing up in wildly colorful  New Orleans in the 1970’s. The book has received wonderful notices… “I Loved, Loved, Loved This Book” – Whoopi Goldberg …and was on Janet Maslin’s NY Times top 10 summer read list.

As a Broadway veteran, Bryan’s leading and principal roles include: 2005 revival of LA CAGE AUX FOLLES, BEAUTY AND THE BEAST, SUESSICAL THE MUSICAL, SUNSET BLVD, SATURDAY NIGHT FEVER, THE SCARLET PIMPERNEL, JOSEPH AND THE AMAZING TECHNICOLOR DREAMCOAT, STARLIGHT EXPRESS, and CATS. Off Broadway: FORBIDDEN BROADWAY (Drama Desk Nomination). Theatrically, Bryan is most proud of originating the role of DARIUS in the N.Y. and L.A (Drama Logue Award) productions, as well as the film adaptation, of Paul Rudnick’s ground breaking comedy JEFFREY.


A civic activist, Bryan champions many causes including Broadway Cares/ Equity Fights AIDS, Habitat For Humanity, Second Harvest Food Bank, the Human Rights Campaign (Equality and Visibility Awards), the SPCA, The Preservation Resource Center, The Point Foundation, N.O. AIDS Task Force, and Le Petit Theatre du Vieux Carré.

His next book is a design book for Clarkson Potter entitled “BIG, EASY STYLE” and will be released October 4th.

Bryan (left, back section of picture!) 




The Dame's Review :

"The Big Easy..." is a beautifully written book in addition to being a book with gorgeous photographs of homes in lush details and sophisticated tastes.  Bryan Batt displays his Renaissance man characteristics not only in acting, it seems, but in writing, decorating and presenting himself as an entertaining man-about-town in New Orleans.  This is a book of many surprises, one that you'll be pleased to reference, and have available for friends and family.

I love 1800's period homes.  Having been an interior designer myself, and having owned a few houses in that time period, I know the joys and the challenges they can present.  Mr. Batt has shown them off and led us through those with panache!  It's a real joy to see and read his excitement over the smallest of details that makes a house a home and a room spectacular.

In terms of learning to decorate for oneself, Bryan gives so many practical examples and easy lessons covering such things as:

~  attention to lighting
~  importance and use of paint, which paint co. he uses, and
    some color choices specifically
~  sophisticated small things that enhance
~  how to use a splash of strong color for taste and drama
~  bars that set a mood and sparkle
~  art to bring a home to life

It was particularly heartening to read how much support Bryan gives to clients and readers of his book in the very common area of decorating fright.  Here, I quote him:
"..never make a decision based on fear; one can never be truly stylish without taking a risk or two." 

Regarding our color education and use in our own home design, he urges us to keep our eyes open in nightclubs for colors, in art galleries, museums, books, and when we travel.  In "Big Easy..."  he also shows the gorgeous home of one of his school friend's, a local New Orleans artist, who employs her own artwork and crafts to fill her house with personality and punch. 

 I loved when he wrote:
"...think of this (your powder room, specifically,) as a perfect chance to express yourself and get your ya-yas out!"

So funny, and so true!   He suggests an antique gold enamel paint, a piece of art inspiration, a theme that can set the tone such as; "The Last Emperor" or "The Secret Garden."  I once had a powder room designed around the small mistress eye paintings that were done for noblemen during the Renaissance to carry with them in secret.  These beautiful eyes, peeking out of knot holes of alabaster, exotic woods, agate and the like gave me a jewelled palette from which to decorate that little room for guests.  It was such fun and I called it my "Little Jewelry Box."

With his homebase of New Orleans, his apparently fabulous decorating shop (it has to be spectacular!) called "Hazelnut," with a nod to his beloved mom; and, including the cultural mix of Mardi Gras...Bryan Batt has shared with us his whole heart and gifts in this special book.

It's visually a treat, it's a happy read, it's helpful and it's a reference for interior decorating.  I would recommend it for everyone who loves their home, who wants to gift a loved one or newlywed, or friend; and a decorating professional looking to build her/his reference library.

5 stars

Deborah/TheBookishDame

*Oh, and one more thing;  I would love to share with you Bryan's delicious recipe for "Tequila Mockingbird II"  his signature drink for parties, but you'll have to get his book to find out for yourself.  Yum--mie!  I've enjoyed mine while reading "Big, Easy Style:  Creating Rooms You Love to Live In"   Hope you get a chance to enjoy!   Cheers, New Orleans style!
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Posted in art work, celebrity photos, home and garden, illustrated book, interior design, Memoirs and Non-Fiction, Memoirs and Other, photos | No comments

Writing Without Reading? Young Authors Say They Can...

Posted on 10:37 by john mycal



In an article posted by The New Yorker  Macy Halford       passes on her recent revelations of a discussion between an author and 'Granta' publication news reporter:


August 18, 2011

Writing Without Reading is Like______.

Posted by Macy Halford


Busy-Monsters.jpgLast night, I went to hear William Giraldi read from his very funny, very inventive début novel, “Busy Monsters,” which is narrated by a man, Mr. Homar, whose bride ditches him at the altar to go hunt giant squid. The book is like a literary cartoon (or cartoon literature?)—which I mean as a compliment—with Sasquatch and aliens and bodybuilders running around, and Mr. Homar coping with them “in an effort to prove his mettle as an American male,” as the press materials put it.
Giraldi, who isn’t uncartoonlike, gave a sensational performance, and just as I was beginning to suspect that he was made not of flesh and blood and intellect but of some kind of intelligent rubber, he sat down for a chat with Granta editor Patrick Ryan and began talking in a very lucid way about his profession. “I don’t enjoy writing,” he said. “I enjoy reading.” He teaches writing at Boston University, and has been amazed at how many of the kids possess a passionate urge to write without also possessing an urge to read. This strikes him as crazy. “There’s an analogy there that I haven’t been able to complete,” he said:
Wanting to write without wanting to read is like wanting to ____ without wanting to ____.
He’d come up with a couple, unsatisfying answers, one involving race cars, one involving sex (he wouldn’t tell us what they were). But he threw it out to the audience to ponder, and now I’m throwing it out to you. What is wanting to write without wanting to read like? It’s imperative that we figure it out, because Giraldi’s right: it’s both crazy and prevalent among budding writers. I’d also welcome theories on why it’s prevalent—is writing a more natural activity than reading? Does watching stories unfold on TV or in film give kids the same creative urge that reading does? Is it just that it’s easier to see your ego in words you wrote yourself?

Keywords

  • Busy Monsters;
  • PowerHouse Arena;
  • William Giraldi;
  • novels


Read more http://www.newyorker.com/online/blogs/books/2011/08/writing-reading-william-giraldi.html#ixzz1YnRHhj3O 
The Dame's Take:
Well, you know the Dame has a "take" on this one!  On first thought, I think it's absolutely absurd to think that one can write without reading. Then, again, I take that back.  A three year old can write without reading, but do we want to read it as literature?  Do they really have anything to say of significance in the long-run? Well, they do have the creative urge to write without reading, don't they?  So, the creative urge to write can come higher or greater than the desire to read.
I'm thinking about this question in depth...and I do believe that one can also write without reading if they understand how to write a length of words that are understandable as an idea or concept.  And, I would guess they could write, as well, if they sat at the feet of a rabbi or teacher of wisdom who expounded on subjects giving them a wide perspective of history and learning through the ages.  And, I suppose they could also draw upon their life experiences and those of their family and friends.  They could also use the experiences they witness on television and movies; as well as those they hear through music and talk radio.
Having said all of that, then, I suppose it is possible to get away with writing without reading in this new world of communications via heresay, higher education and modern inventions.  If musicians who were deaf and blind could produce works of genius...I suppose...   If artists without use of arms and eyes can paint masterpieces; perhaps.  Maybe it isn't such a stretch to think one could write without reading.
All this being said, it so goes against my every fiber that it's been difficult to accept and admit.  Would I want to read something written by such an author?  My first inclination is rebellion...my second is curiosity.
What do you think?  And, how would you fill in those blanks:  Wanting to write without reading is like wanting to ____ without wanting to ______.  ??
Deborah/TheBookishDame
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Posted in Reading, Writing | No comments
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